Monday, February 4, 2019

     It's been a big week for musician birthdays.  Last week, we remembered Mozart and Schubert.  Today, although his actual birthday was yesterday, February 3, we think about Felix Mendelssohn.  Though born in Germany into a Jewish family, Mendelssohn was eventually baptized as a Christian. Sadly, like Mozart and Schubert, Mendelssohn died before he was forty.  A musician of Romanticism--like Schubert--he wrote music that, when we listen to it today, sounds like poetry, its melodies lithely carrying us along, transporting us to new levels of emotional experience, pushing us into thoughts of the ethereal and divine.  We walk away enraptured, enraptured with time, space, and destiny:  life seems newly wonderful, wonderful beyond belief.

     What more is there to say?  We rejoice in such music; we delight that it speaks to us; we love that it lets us soar beyond the immediate and touch the eternal that encompasses us all.
     Thanks, Felix Mendelssohn.  Thanks for reminding us that if we open our eyes, if we really open our eyes, we see that life exceeds our wildest imaginations.
     As one writer put it, it's an adventure with God.

Thursday, January 31, 2019


      Not as well known as Mozart, whose birthday we remembered a few days ago, Franz Schubert was nonetheless one of the most remarkable musicians in Western history.  Immensely productive and profoundly creative, Schubert wrote some of the most ethereal and haunting melodies of all time.  We listen to his music and feel transported, lifted above what is earthly and material, moved into transcendence.  Today, January 31, is Schubert's birthday.
     Schubert's music gives us pause.  If music only told us what we already know, we probably wouldn't get as much out of it as we do.  We do not need to be reminded of what is obvious and normal.  We rather need to be encouraged to ponder what is beyond the apparent, what breaks down the seen, what splits the visible apart.  We want to know what we, at the moment, cannot.
     And this is what Schubert's music does.  Descending into the darkest recesses of his soul, Schubert talks to us about the deepest mysteries of existence, how we walk in a wisp, a gossamer veil stretched between us and the other side of time.  He romanced eternity.
     As do we all.  Every day we balance, balance between presence and absence, perched on a thin line of reality and ultimate destiny.
     Thanks, Franz Schubert, even if you didn't intend to do so, for showing us that life is bigger than life itself.

Tuesday, January 29, 2019

     "Without revelation, the people perish."  Translated as the first part of Proverbs 29:18 in the King James version of the Bible, these few words say volumes about the state of reality.  They tell us that without revelation, that is, communication from God, we miss the point.
World environment day concept: Silhouette humble man standing on cave sunset background               Without revelation, we live in a closed world, a terminal system.  We cannot see beyond ourselves.  We miss the greater meaning without which we cannot make sense of who we are.  Absent revelation, we wallow in the speculations of our finitude, even while we remain fully aware of our tendency to look beyond it.

     To a larger point, whether it is of this world or another one that speaks into our present moment, we can agree, I suggest, that we cannot easily live without acknowledging such a vision's necessity in our lives.
     So whose revelation is right?  All of them?  None of them?  If we reject transcendence as a source of vision, we are left with a revelation of ourselves and our ideals, ideals which we and ourselves, and only we and ourselves, assess and judge.  And how do we ultimately know?  It seems that revelation and greater vision are most meaningful if they reflect the vision of a reality out of which this present one comes.

Monday, January 28, 2019

     Yesterday was the 263rd birthday of Wolfgang Amadeus Mozart.  Around the world, people continue to be astonished by the immense creativity and wonder of this Austrian's music.  Fluent in all genres of classical music, Mozart, though he sadly died at the tender age of 34, produced an array of musical expression that most musicologists agree is unmatched.  As a contemporary said of him, "He was like an angel sent to us for a season, only to return to heaven again."  Most of us can only stand mute and marvel at Mozart's immense ability.  How could one person write works of such extraordinary beauty?



     Genesis tells us that God created people in his image, in his likeness.  For this reason, every person who has ever been born and walked through the history of this planet has the potential to duplicate and express, albeit in finite form, the creativity that birthed the cosmos.

     Rightly do we weep and swoon at the beauty of Mozart's compositions; they are works of unsurpassed wonder.  Yet rightly do we marvel equally at God, the personal infinite God who made and fashioned this artist--with all his prodigious talents--and enabled him to be and become who and what he is.
      As he does for all of us, we who are gifted in an nearly infinite number of ways, we who are made to create in unabashed wonder.
     Enjoy and appreciate the people--all the people--whom God has made.
     Thanks, God, for giving us Mozart.

Friday, January 25, 2019

Good news for Vaquitas in Mexico | NavasolaNature     There are barely twenty of them left in the world. The vaquita porpoise is perhaps the least known porpoise, but certainly one of the most interesting.  For many years, a small group of them have lived in the waters of the Pacific Ocean off the coast of Baja California, doing no harm to anyone.  Unfortunately, these waters are also used by various fishermen whose modus operandi is to drop massively lengthy nets into the ocean to catch fish.  The problem is obvious:  the nets catch any animal that happens to run into them, not just the fish on which the fishermen are focusing.  The little vaquitas have been decimated by this practice, leading to their near extermination.

     It's easy to say that, well, this is a minor animal species, and if it disappears, the ecosystem will adapt.  Although from a broad biological standpoit this may well be true, it is, by any other standard, patently false.  If this world has purpose, if this world exists by virtue of divine intention, everything in it is important and, significantly, reflective of truth.
     And it is this truth that is, not to be redundant, the truth on which we ought to base our lives.
     Go, vaquitas!

Thursday, January 24, 2019

Puma     Lately, I've been reading a book about the puma.  Called variously mountain lion, cougar, and any number of other appellations, the puma is the largest feline predator in the Western Hemisphere.  It is perfectly designed to do what it does, beautifully equipped to stalk, pursue, and capture its prey.  So skilled is it at concealing its whereabouts, so adroit is it at finding its meals, that we rarely see it, even if it is wandering, as it is doing with increasing frequency, in our backyards.
     Some years ago, one night while I was backpacking in the Rocky Mountains, my tent pitched in the shadow of the Continental Divide, I heard a puma come through my camp.  So quiet it was that I barely knew it was there.  But I could sense it, prowling around and, when I assume it had detected prey (not me!), hissing over its fresh kill.  It was chilling, but absolutely fascinating:  the raw beauty of the natural world directly before me (happily, I was in my tent).

     We may be frightened by the thought of a big cat slipping through the spaces of our lives, but I believe that without these glimpses and intimations of wildness, we would be less than human.  We are not independent of the rest of the creation, nor are we beyond the currents of wildness that course through the life of the planet.  It is us.  In a good way.
     God made a perfectly wild world:  amazing and breathtaking and, most significantly, marvelously apart from full human control and comprehension.
     

Wednesday, January 23, 2019

Today I offer yet another selection from the art/writing project which I recently completed.  As did the selections I've shared previously, it has to do with the subject of home.  This one is "Home as Stillness and Rootedness."


Home as Stillness


One sunny Southern California afternoon, as I was walking home from elementary school, one of my classmates (whom I thought was a friend) approached me, looking a little leery, maybe mischievous—and definitely wary.

I soon learned why.  Suddenly grabbing me behind my back and securing my arms, he called, “I got him!”  Two other classmates immediately appeared.  As I squirmed, one of them, Eddie, took a few fake swings at me, laughing, as did the others, Rick and Don.  I had no idea what they were up to, but I felt scared, very scared, more scared than when, the previous year, as I passed by a house one block north of mine, a large dog ambling serenely through its front yard suddenly and without warning, ran and leaped toward me.

I struggled and struggled, but could not break free.

And I cried.  I didn’t see any way out of this; I didn’t see how I could ever free myself of these classmates’ grips.  It seemed helpless.  What could I do?

Happily, another guy soon appeared, trundling up the sidewalk from the next street.  It was Kelly (this being his last name, the only name anyone ever used for him).  Kelly was several grades ahead of us and carried an air of unmistakable authority.  “Kelly,” I mumbled through my tears, “help me.”

“Let him go, you guys.”  And they did.  Without saying anything else, I started running, started running faster than I had ever ran before.  I flew. I flew to the next street, crossed it, then kept flying, kept racing down the block until I reached the alley that, when I ran left and through it, led to my street and my parents’ home, nine houses away.  Nine beautiful houses away.  I was desperate.  I was desperate to get to the safety of my home.
Walking in the door, stepping into the soothing quiescence of the threshold, I immediately felt at ease.  My heart calmed, my nerves relaxed.  My breathing returned to normal.  I plopped onto my bed and lay perfectly still.  It felt good.  It felt good to be home.

So good that I didn’t bother letting my mother know I was there.  No need. She’d figure it out.  Right now, I just wanted to be at home, to be safe in my home.  I wanted to plant myself anew in its comforting soil, I wanted to find restoration in its soothing embrace.

When Mom walked in my room, I started crying all over again.  Tears of relief.  I was with my mother, I was in my place.  I was where I had begun and where, from my young vantage point at that time, I thought I would end.  Where else would I go for such comfort, such peace?  Where else would I really go?

(Many years later, when I studied the Gospel of John in seminary, I read, in chapter six, how Jesus, having alienated many people with his metaphorical language about eating his flesh, asked his closest disciples whether they would abandon him, too.

(“To whom would we go, Lord?” Peter replied, “you have words of eternal life.”)

Indeed:  where else would anyone go to find her ultimate stillness and deepest roots?

She’d go home.  She’d go to the words of home.

When I was seventeen, preparing to graduate from high school and looking to the summer ahead, a summer in which, I was told, I would not need to work, I considered what I would do.  It didn’t take long to decide.  I’d hike the John Muir Trail, a 210 mile long trail that follows the peaks, valleys, meadows, and lakes of the Sierra Nevada range in California.  I figured it would take me six, maybe eight weeks.

Had I ever backpacked before?  Absolutely not.  But I really wanted to do this.  After some hesitation, Mom and Dad approved, helping me buy the equipment I needed and driving me to the trailhead.  I began with a companion (at Mom and Dad’s insistence), but after a week he went home, and I was on my own for the next six or so weeks.  

It was wonderful, so very wonderful.  I reveled in everything I saw, everything I came to know and experience.  All too soon, however, it was time to leave.  It was time to go home.

Hiking over a pass and out of the range one stunning mountain morning, I spent the rest of the day trekking another fifteen miles down to the bank of a river, a lovely stretch of water rambling gracefully through the sheep and date farms set below the range.  There I camped for the night.  The ground, covered in dense grasses, was incredibly soft.  It made for a delightfully relaxing sleep.

The next day, stepping onto Highway 395, the forgotten road that, sandwiched between the lush Sierra and the arid White Mountains (home to the Bristlecone Pine, one of the oldest trees on the planet), winds from the Mojave Desert to Lake Tahoe, almost half the length of California, I started hitchhiking, headed toward Los Angeles, looking forward to seeing my family. To be at home.
Just after sunset, just as the skies were darkening over the ocean and the lingering smog was painting the horizon a deep red, I reached my front door.  My home. I didn’t have a key—did I really need one in the mountains?—so I rang the bell.  Sister Kathleen answered the door.  I smiled.  “It’s Bill,” she called out.

Rushing to the door, my mother, my dear mother, she of deepest love and solace and childhood bliss, opened her arms wide, kissed me on the cheek, and took me into the house.  “I know you,” she said.  Indeed, she did.  And I her. I was at home again, secure, protected, whole.  “The prodigal son has returned,” Dad said, joking with my grandfather, who had come for dinner that night.

I knew better, however:  I had never really left.

And why not?  Here I flourished, here I grew.  Here I found foundation, here I found place.  Here I found the colors of my life, the pools of my desire.  Here I could be me as I could not be anywhere else.

A sea anemone plants itself in the rocks of the tide, a gopher tunnels in the bowels of the earth.  A tree springs from the dirt of the forest, a flower from the loam of the meadow.  Like these animals, like these plants, only doing what they instinctually long for, consciously or otherwise, so had I dug myself into my home.  So had I made it my center, the locus and linchpin of all I had known.  Whether I was seeking safety, encouragement, or affirmation, I had looked to this home as the eye, the eye of the many hurricanes that swirled through my life and time. Here I began countless journeys, and here I would always come at journey’s end.

I knew I could never really leave.

Although I love many mountain places, I think I love the arctic the most.  It is a place of pure magic.  Absolutely. Its stark beauty, beauty born of miles of lonely lakes and deeply green tundra, of light shining from peaks whose jaggedness looks as if it been sculpted just yesterday, of endless vistas of yawning valley and glacier unseen, a beauty grounded in what is not there as much as what is, drives deep into my heart.  Dazzling abundance, shimmering effervescence, spectacular desolation.  It boggles my mind.

During winter, the arctic is silent, very silent. Aside from an arctic wolf or white fox slinking furtively across the snow, nothing breathes or moves.  The birds and caribou have migrated south; the grizzlies are hibernating; even the musk ox shrinks its footprint.  Deepest Kelvin temperatures grip the land.  Aphonia reigns.

Come spring, however, everything changes.  The tundra explodes with life.  Millions of birds return from their winter hibernation, including the arctic tern who has spent the winter on the tip of South America; thousands of caribou journey from the boreal lowlands; and in a case of taking the good with the bad, billions of mosquitos appear, birthed and invigorated by the massive snowmelt oozing into the tundra.

Why do they come?  These animals come because of home.  Though they appreciate their winter climes, they come to life most in the summer arctic.  This is where they mate, this is where they teach their offspring, this is where they put down their roots.  They will never stop coming; they will never stop returning to this land.

How could they?  Indeed, whywould they?

I know the feeling.  Over forty years have passed since I hiked through the arctic, over forty years since I trekked alone in the forgotten eastern stretches of the Brooks Range.  I reveled in everything I saw, rejoiced in all I experienced, the grizzlies, Dall sheep, and caribou, the treeless mountains, the icy streams.  The eagles soaring to the edge of the sky.  My days were incredibly long, my nights breathtakingly short:  the northern sun was in full bloom.  Like James Joyce’s young man of the Irish seas, I was alone and apart, breathing and tasting and touching the landscape.  Alone at home.

One day I’ll go back.  So will you.  Can you ever fully let go of your nascent stillness?  Can you ever really lose your roots of home?